Watch Netflix movies & TV shows online or stream right to your smart TV, game console, PC, Mac, mobile, tablet and more. Start your free trial today. They're the scariest horror movies out there (Under the Shadow), and the best documentaries ever made (13th, Jiro Dreams of Sushi). Schauen Sie, so viel Sie. Desson Thomson of The Washington Post described it as "one of the best documentaries ever made, a superb film about the thoughts and feelings of the era.
best documentaries about moviesThey're the scariest horror movies out there (Under the Shadow), and the best documentaries ever made (13th, Jiro Dreams of Sushi). Schauen Sie, so viel Sie. Mar 29, - 3 of the best documentaries you will ever watch: Cowspiracy, Forks Over Knives, and Earthlings. They are on netflix and youtube! addresses, browser type, internet service provider (ISP), referring/exit pages, platform type, List of the best documentary movies of all time, as rated by the.
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Some people seem to live a hundred lives, and those are the ones who make the best documentary subjects.
And Galactic overlord Xenu, ancient prison planets, and child abuse are what separate the defectors from the brainwashed. Ron Hubbard himself.
Most of the major pro sports teams, still, fuss when you so much as dare to ask a player a somewhat-not-really-tough question ever try to talk to Russell Westbrook after a bad game?
Where else can you have a tight end teach you about the wonders of healing crystals? If you want to understand how the modern NBA star was born—players who move between teams like Tinder dates, holding the power to make political and social change far off the court—look at the career of NBA legend Kareem Abdul-Jabbar.
Artwork and notebooks provide an insight into his mind, while soundtracks and self-recorded footage track his rise into a world of fame that he never desired.
Some might think a four-hour documentary is either too long, disturbing, or bone-chilling to sit through. In the doc, Reed painstakingly records the legacy of abuse that two families have lived in for decades.
Before there was Making a Murderer , Serial , and our current obsession with everything seriously, everything true crime, there was Paradise Lost.
The documentary, which was followed by two sequels in and , told the story of West Memphis Three, who were accused of murdering and sexually harming three young boys in No film has better captured the drudgery and desperation of the men who live day to day, dollar to dollar, door to door.
Werner Herzog's "ecstatic truth" methodology—in which reporting the facts is secondary to finding deeper emotional undercurrents—is on full display in his portrait of Timothy Treadwell, a wildlife enthusiast killed by a bear he adored.
Nature and chaos, obsession and madness—the auteur's thematic preoccupations are all here, in a form that's somehow more moving than Herzog's fictional counterparts.
Reality is always shaped by the documentarian—even the most respectful one makes a choice with every shot. Here, then, is cinema's grandest piece of propaganda, to remind us not only of the terror of fascism but of the power of the image.
Leni Riefenstahl would never escape the legacy of her Nuremberg rally. A fatuous American general destroys his own credibility "The Oriental doesn't put the same high price on life as does the Westerner" while we watch the graves being dug.
In this one-of-a-kind portrait, Terry Zwigoff takes us deep into the home life of underground comic artist Robert Crumb. Though known for his salacious images of plump females, Crumb comes off as one of the more normal people onscreen alongside troubled siblings Max and Charles.
Zwigoff's film never condescends—this is a dysfunctional family we all can empathize with. Frederick Wiseman's no-holds-barred look at the horrors inside a prison for the criminally insane set the standard for vrit indictments, and not even a year ban on public screenings stopped Wiseman from forcing accountability.
Those who praise the power of the camera to effect change rightfully consider this a landmark. Throw on your oversize, boxy suit, hit PLAY on your boom box and make flippy-floppy with Jonathan Demme's unfailingly awesome Talking Heads concert doc.
The overriding atmosphere is cosmopolitan and multicultural, but limber frontman David Byrne brings things closer to science fiction with his spotlight-commanding dance moves.
Bad weather, heart attacks, temperamental stars and a ballooning budget—it's amazing a turkey didn't result. Only an unrelenting homophobe could come away unmoved by Rob Epstein's Academy Award--winning documentary about the groundbreaking San Francisco politician assassinated by a bigoted colleague.
It's both an angry film and a compassionate one—a true watershed in the gay-rights struggle. Filmed in dramatically crisp black and white yet far from didactic, Tony Kaye's landmark examination of the smoldering battleground of abortion leaves no conviction untested.
Renowned libertarians reveal uncertain hearts; pro-lifers squirm in the cool eye of the lens. Kaye shows it all, as well as footage of the procedure itself; we must watch it.
Everyone refers to Altamont as the official end of the s; the Maysles brothers' doc shows you why. Bad trips prevail even before the Hells Angels stab a concertgoer—and puncture the era's utopian dreams.
That look on Mick Jagger's face as he watches the telltale footage still chills. Steve James's chronicle of two inner-city Chicago kids obsessed with basketball balances a microscopic look at their lives with a macro-examination of the social forces around them.
It's less about what happens on the court than how class, race and community affect everything off the blacktop. How does an artist deal with one of the biggest monsters of our time?
In Hans-Jrgen Syberberg's case, you tackle it with operatic assurance. It confounds, challenges and ultimately enlightens.
Frederick Wiseman's examination of a Philadelphia school is so subtle in its social critique that you might think it's merely about education. But remember what was going on in America at the time: Suddenly, the authority figures stamping out individualism and the frustrated kids being force-fed bankrupt values don't seem so innocuous.
It's eight hours of the Empire State Building in a single shot, with no sound. But call Andy Warhol's minimalist masterpiece "boring" at your own peril.
The sunlight fades. A Manhattan evening blooms. Architecture becomes mythic. Warhol's notion of iconic repetition gains power.
Admit it: You wish you had thought of this. Premiering less than a year after the Tet Offensive, Emile de Antonio's scathing indictment of the Vietnam War excels at using the contradictory statements of the military brass, troops and politicians against them.
This was the movie that proved Moore was a peerless propagandist—and demonstrated that he was just warming up. An essential piece of cinema history, the Lumire brothers' second film is an unedited shot of a locomotive pulling into a provincial French station.
Secretary of Defense Robert McNamara concerning his reflections on his political career—particularly his influence on the United States' involvement in the Vietnam War.
Similar to his own memoir, In Retrospect , McNamara offers his view of the conflict—and the complicated nature of war in general—to put the Vietnam War in a larger context within 20th century American history.
This Oscar-nominated film follows the Artinians, who across three generations have deaf and hearing members in their extended family. When brothers Peter who is deaf and Chris who is hearing both had deaf children and considered giving them cochlear implants, they opened up a debate within their family—one that also exists within deaf culture at large.
Sound and Fury is a powerful look at how we create communities based on shared experience, abilities, and language, and the importance we place on where we stand within—or outside of—mainstream culture.
Godfrey Reggio's Koyaanisqatsi is admittedly more of an experimental film than a documentary. While one might have to appreciate the droning style of a Philip Glass composition a tough thing to love, I'll concede , the film itself—the first in a trilogy that includes 's Powaqqatsi and 's Naqoyqatsi —is a cult classic.
Taking its title from a Hopi word that means "unbalanced life," Reggio's film is a juxtaposition of slow-motion and time-lapse images of cities and landscapes across the United States, a manic collection of cinema set to an equally unsettling score from Glass.
What one takes from Koyaanisqatsi is personal, and while it may be befuddling, most viewers find it incredibly provocative and mind-blowing.
When Andrew Bagby was murdered by his girlfriend Shirley Jane Turner—and Turner announced that she was pregnant with Bagby's child after his death—filmmaker Kurt Kuenne planned to make a visual scrapbook dedicated to Bagby's son Zachary so that the boy would know how much his father was loved by his friends and family.
A tumultuous custody battle between Turner and Bagby's parents ensued—leading to a shocking twist in the family saga—so Kuenne decided to release the film publicly, turning it from a collection of home videos into a beautiful and touching portrait to a lost friend, as well as a staggering and heartbreaking true crime documentary.
Bill Cunningham was a notable figure in New York City until his death last year; a Bill Cunningham spotting was almost as exciting as having your picture taken by him.
The New York Times columnist, who documented how the city's residents expressed themselves through fashion in their own particular ways, was a cheerful and outgoing presence in the city—serving less as a fashion photographer and more as a cultural anthropologist.
This portrait, filmed when he was 80 years old, follows him through the city on his fashionable journeys and offers a look into the man for whom, as Vogue editor Anna Wintour put it, all of New York dressed.
This Oscar-nominated film is a staggering portrait of the early days of the AIDS crisis, a time when those who lived on society's margins were left to die—largely ignored by the medical establishment and a horrifyingly apathetic government.
Director David France, who covered the AIDS crisis as a journalist in the '80s, sheds light on the efforts made by members of ACT UP, who raised awareness of the disease, humanized the men and women afflicted by it, and ultimately changed the course of history by putting pressure on the government to fund medical research.
Their work ultimately led to the discovery of treatments that turned an HIV-positive diagnosis from a death sentence to a chronic—and manageable—illness.
Simpson examines the football star's rise and fall—and the murder trial that ripped the country apart in the '90s. Rather than focusing solely on the murders of Nicole Brown Simpson and Ron Goldman and the subsequent trial, this incredible documentary places the Simpson saga into a larger context—highlighting the ways in which it said more about race and American culture than any other event that took place in the second half of the 20th century.
Long before Sean Penn won an Oscar for his role in Gus Van Sant's Milk , director Rob Epstein picked up the same trophy for Best Documentary with his incredible portrait of Harvey Milk, the first openly gay member of the San Francisco Board of Supervisors—and the first openly gay elected official in California history.
His political career was cut short, however, when he was assassinated alongside San Francisco mayor George Moscone at the hand of their colleague, supervisor Dan White.
But Milk's legacy has endured longer than his brief tenure as a public servant, and his courage and passion for social justice has inspired countless LGBT activists in the four decades since his murder.
Acclaimed documentarian Barbara Kopple won her first of two Academy Awards for this incendiary look at the Brookside Strike formed by coal miners employed by the Eastover Coal Company in southeast Kentucky.
The film depicts the complex nature of the American coal mining industry at large a topic very prevalent in today's political climate , as well as the at-times violent clashes between the striking miners and their wives and the Eastover supporters and scabs—which left at least one striking miner dead.
Errol Morris's best known film is, by his definition, a work of non-fiction rather than a documentary. It follows Randall Dale Adams, who at the age of 26 was arrested, convicted, and sentenced to the death penalty for the murder of a police officer in Dallas, Texas—a crime Adams did not commit.
Reenacting the events leading up to the murder and including interviews with Adams and other players in the case, Morris's film made a strong case for a miscarriage of justice—so much so that the case was reviewed a year after the film's release, and Adams's conviction was overturned.
Gates and Agee are recruited from their inner-city high schools to attend the suburban St. Joseph High School in Westchester, Illinois, and play in its renowned basketball program.
Hoop Dreams depicts the culture shock Gates and Agee experienced in the predominantly white high school, to which the two boys commuted 90 minutes every day.
A modern masterpiece of documentary filmmaking, the film stirred controversy when it was shut out of the Best Documentary category at the Academy Awards—its sole Oscar nomination was for Best Film Editing.
In , Michael Apted profiled 14 children for his Granada Television special 7 Up , viewing the group as representative of England at large across the country's socio-economic system.
Every seven years, Apted returned to his subjects those that chose to participate, anyway to see how life changed for each one—and how their dreams, fears, and philosophies evolved with time.
The Up Series now includes eight films 56 Up was released in , and Apted has stated his intentions to continue the project. It remains a fascinating study of how class plays a major role in British culture, but also how the human experience is one that is ultimately universal, despite the specifics that we encounter as individuals.
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